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It is an idle sunny afternoon of a record, steeped in restless daydreams of hovering dragonflies and slow-moving water. Based in Manchester, he cites Sigur Ros and Boards of Canada as influences, but the album has more in common with the sense of pastoral stillness evoked so perfectly by Brian Eno on the blissful second side of Before And After Science. Festivals staring at shifting clouds, green grass tickling your neck…” So says Barry “Apta” Smethurst of the feel he was aiming to capture on this superlative collection of instrumentals. “Hazy summer montages, worn film and distant fuzzy rock radio.
Includes bonus track not on original release. New CD edition of January's quickly sold-out cassette 'Vignettes'. There are also remixes for John Foxx, Mogwai, Ride’s Andy Bell, Mark Lanegan, Alice Hubble, Stealing Sheep, Knightstown and Dolphin Midwives.
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The discography to date includes ten full length albums and many more singles and EPs across several labels. Pye Corner Audio specialise in majestic, cinematic electronica that evokes sci-fi soundtracks, dystopian futures and the sound of haunted dance floors. His masterful sound design creates a sense of awe and vast space as he takes us on a fantastic and exciting voyage from peril to redemption. Martin Jenkins builds up tension with his minimalistic synth sequences and dance floor abstractions. It's only implied in the drama and mood of the music, with the help of careful attention to track titles and sequence and of course Julian House's consistently evocative artwork. Each album is a kind of high concept sci-fi epic, the latest instalment of which plays with the idea of mycorrhizal networks and attempts by humans to listen in and communicate.Īs always with Pye Corner Audio and Ghost Box Records generally, narrative is not spelled out. It’s the third part of a loose trilogy of albums starting with Stasis in 2016 and followed by Hollow Earth in 2019. Editor: Steven Tyler.Entangled Routes is the fourth Pye Corner Audio album for Ghost Box Records. Jacobs Theatre, New York City | Ticket info Lessons from Stephen Sondheim, the teacher ("Sunday Morning") Remembering Stephen Sondheim, a musical theater giant ("Sunday Morning").That makes me feel very good." Composer Stephen Sondheim with actress Patti LuPone, in 2020. It's, I don't, I'm not … this is not planned." I have to say thank you for me, and I have to say thank you for all of us that …" LuPone: "Steve, you are, you know, it's … oh no, I said I'm not going to …" He might have retired from acting, but acting seems to have informed all of Steve's musicals.
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But there was one part I always wanted to play, which was Danny in 'Night Must Fall.' It was about a serial killer, which is a play I had loved since I first read it when I was 12 years old. They always cast me, every play they did, if there was a very neurotic, self-destructive, gloomy, 'Get Sondheim!' (laughs) I played every misfit. Sondheim: "Oh, this is not 'June Moon.' This is something else." He was acting every minute he was on the stage, and acting very well.'" Oh, I'm not done: 'His hands were never idle or awkward, but beautifully expressive at all times. Sondheim: "I've never heard that in my life" LuPone: "You got better reviews than I do!"
His gestures, movements, and even the angles of his body anticipated, participated in and completed the vocal presentation of the character.'"
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LuPone: "Do you remember this review: ' an actor who knows how to use his whole body dramatically.
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I wasn't talking about the 1974 TV musical "June Moon" I was talking about Steve's acting career at Williams College. Sondheim: "Oh, you mean on TV, with Estelle Parsons?" And I didn't know that you were an actor." LuPone: "I was surprised, Steve, I have to tell you, we have common ground. Perhaps this next part of our conversation sheds light on why: I don't know why I would write it otherwise." I'm not interested in making people un-happy, but I'm not interested in not looking at life. His musicals are now films his songs make appearances everywhere and after a lifetime of accolades – nine Tonys, eight Grammy Awards, and an Oscar – it's easy to forget Steve wasn't always a critic's darling, as he told Charles Osgood on "CBS Sunday Morning" back in 1995: "I mean, an awful lot of people have gone historically to musicals to 'forget their troubles, come on, get happy.' I'm not interested in that. Today, Steve's work has transcended Broadway. LuPone: "What's happening in the audiences, it's an extraordinary experience, not just because it's gender-bent or it has nothing to do with it being gender-bent it's because 'Company' is back on Broadway."
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